Monday or Tuesday (1921)

ebook version

I have, admittedly, still a little bit of an undeniable adoration of Woolf's stream of consciousness (which was gained in an Upper Grad course focused solely on her and her major works). I loved the second story in this collection best.

And I can't wait to work into a few of my next collections I picked up of ( )

More so than the novels, Virginia Woolf's short stories are difficult to read. One reason for that, is that in the stories, particularly in this early collection titled Monday or Tuesday she was looking for a new form. Her writings take the form of an experiment. Another reason is that Woolf's view of the world is idiosyncratic. This makes that her writing has a very particular feel to it; Woolf's style is not easy to follow. A moment of inattention, and the reader may be lost, having to retrace steps and reread to catch the thread. Finally, in her work Woolf makes many references to people and events of the late Nineteenth and early Twentieth Century; without knowing what she refers too, even in fiction, the stories are difficult to understand, or it is hard to see the significance. For example, in the story "A society" there is a reference to a publication in 1920 by the Edwardian author Arnold Bennett, who posed that women were intellectually inferior to men. However, the reference in the story is very vague, and it requires an annotated edition (such as the Selected short stories) or quite some research in the library to pick up such allusions.

A short story collection such as Monday or Tuesday might be difficult to start reading Virginia Woolf, but for people who have already read some of the later novels, the collection is very rewarding. The collection is very typically Woolf, including all features of her style and themes.

Highly recommended, but difficult to read, and therefore I would suggest to read an annotated edition such as in the Penguin Classics series, rather than a free download. An additional advantage is that the Penguin Classics edition reprints the woodcut illustrations by Woolf's sister Vanessa Bell. ( )

This collection deserves four stars because it contains some of Woolf's most succesful experiments in fiction writing. The collection is of great importance for the understanding of Woolf's later work as these stories represent her first attempt (after the more traditional The voyage out and Night and day) to break away from traditional narrative forms. The most interesting in this respect are Kew Gardens, The Mark on the wall, and An unwritten novel.
In Kew Gardens VW concocts something which, in my opinion, one can only term an impressionist painting in words. She gives a vivid description of a single day in Kew Gardens. It is as it were, as if the author/protagonist has hidden herself in the flower bed to describe the insect life, the plant life, the fragments of conversation of passers-by, the different phases of daylight which pass.
In the other two stories VW uses the stream of consciousness-technique as a structural device. The mark on the wall describes the thoughts of a woman as she is smoking a cigarette and staring at a mark on the wall. It is fascinating to see how VW turns such a potentially dull subject into a wonderfully convincing associative prose poem which takes in the beauty of flowers, the life of trees, the current social order, the value of civilization, all revolving around the obscure mark from which the reverie began.
In an unwritten novel VW employs a similar stream of consciousness technique. Moreover, it has the additional value of providing us with information on how VW saw herself as a novellist. In this story the female protagonist turns the woman opposite her into a fictional character, endowing her with a certain character, imagining her life story. Although it turns out that the protagonist's fiction is mistaken, this only provides added fuel for the development of yet another fictional reverie.
The story 'A society' also deserves separate mention here. It raises a wide range of questions concerning the position of women in a male dominated society. VW does not provide clearcut answers thus stressing that the complexities surrounding this subject are enormous and suggesting that each woman will have to provide her own answer to these poignant matters. The manner in which VW raises these feminist issues sufficiently compensates the story's lack of convincing narrative, its incoherent structure, and its patchy character depictions.
On the whole, then, this collection is well worth reading. Most stories (except a society) have the character of prose poems, the language is often poetic, lyrical, elegiac. Woolf herself once wrote that she was trying to invent a new form, somewhere inbetween prose and poetry, a form which she once termed elegy. This collection shows that in an early stage in her career she could already succeed remarkeably well in achieving that form. ( )